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Some of the sex in Octopus Pie has been painful and uncomfortable-not that partners are outright abusive, but the characters aren't above using one another or slinking into apathy.
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Romantic relationships are rarely captured as more important than platonic friendships in mainstream media, though they can certainly become consuming and distracting. But not everything sucks, and what's particularly rewarding about the long-running strip is the way cartoonist Meredith Gran portrays romance and sex. Being in your 20s sucks having a minimum-wage job working for a crappy manager in retail sucks trying to go back and date your high school sweetheart sucks and breaking up sucks. The best thing about Octopus Pie has always been it's unwavering honesty. (Bonus: Marko's mom's curiosity when she, from a distance, spies Alana getting her way: "Is Alana praying?" "No, she most certainly is not.") Tini Howard Fiona Staples Marko tries to talk her through it, but he's only so strong. Alana wields an avoidant streak, one that often leads to her seeking pleasure rather than solving problems. They subvert the marriage + baby = happily-ever-after trope in every way possible. The leads in Saga are married, they have a kid, they fight, they have sex. And yet it's real, funny, touching and not the sort of porny fantasy one would expect from that description. Marko wants to talk, Alana wants to go down on him. The list above analyzes comics’ high-water marks, the biggest, boldest moments (with a few indie gems) that proved how versatile and progressive comics can be when they dive under the covers. It’s love, it’s connection, it’s lust and the eternal dance of biology seeped through ink and passion. A strong argument could be made that no medium has made bigger strides to democratize eroticism in all of its sticky forms. Spike Trotman’s Smut Puddler anthologies, Erika Moen’s Oh Joy Sex Toy or Collen Coover and Paul Tobin’s Small Favors. A dozen features alone could dissect the work of C. Credit to the underground comix scene bolstered by Robert Crumb and anthologies like Tits & Clits, not to mention slightly more…direct works like Reed Waller and Kate Worley’s Omaha The Cat Dancer for breaking down the boundaries of sexual expression in sequential art.īut damn if the last 15 years of comics haven’t ushered a new comics sex revolution, elevated past the cis male perception to address gay, lesbian and trans perspectives. European erotica pioneers like Milo Manara, Guido Crepax and Jean-Claude Forest fully embraced that fact throughout the ‘70s and ‘80s, but American mainstream publishers have been slightly more reticent to dive down the rabbit hole. Unlike film, illustration can assume a fantasy and objectivity that the human gaze wouldn’t afford two human actors. Unlike prose, artists can shape and exaggerate the contours of the human body for visceral interpretations. The comic medium has a special advantage in depicting the myriad layers of human intimacy. Happy Valentine’s Day!Īlso, you don’t have déjà vu-this article first appeared in 2017, and we’re bringing it back for the holiday. This is Explicitly NSFW and Contains Imagery That Your Parents Probably Won’t Want You to Look at Ever, So If It Gets You Fired/Grounded, We Warned You.